Stratosphere Las Vegas

The Stratosphere Las Vegas is a hotel and casino situated on the Las Vegas Strip in Las Vegas, Nevada, owned by American Casino & Entertainment Properties which is a wholly owned subsidiary of American Real Estate Partners. The property's signature attraction is the 1,149 ft (350 m) Stratosphere Tower. It is the tallest free-standing structure in Nevada and the second-tallest free-standing structure in the United States west of the Mississippi River, after the Kennecott Smokestack in Magna, Utah. The hotel is a unattached building with approximately 20 stories, 2,444 rooms and an 80,000 square foot (7,000 m²) casino. The Stratosphere is the northernmost of the major Strip casinos and the only one actually in the City of Las Vegas, as the rest of the strip south of Sahara Avenue is in the unincorporated townships of Paradise and Winchester. Following its completion in 1996 it was initially less popular than first envisioned due to its location on the extreme north end of the strip, far away from the most popular hotel casinos, but its low room prices and unique offerings eventually ensured its success. While many tourists consider its location to be inconvenient, others feel the location is an advantage since it is equidistant between the more popular strip casinos and the downtown area (which includes the Fremont Street Experience).

In the early 1990s, The Stratosphere invented up by Bob Stupak to replace his Vegas World casino. At the conception of the project, one of the planned rides was to be a giant ape that would carry riders up and down one of the tower's columns. In 1995, Grand Casinos was brought on as an equity partner for the still privately funded project under construction. While construction was still progressing, the Stratosphere Corporation was formed as a public company with shares being offered to the public. The Stratosphere opened on April 30, 1996. Shortly after opening, the Stratosphere Corporation was forced to file for bankruptcy. This caused construction on the second tower to stop with only a few stories partially built and allowed Carl Icahn to gain control through one of his companies by buying a majority of the outstanding bonds. A major addition was completed in June 2001 for $1 billion that included finishing the 1000-room second hotel tower. In the early 2000s, the company attempted to get approval for a roller coaster that would run from several hundred feet up the tower and, in the last proposal, across Las Vegas Boulevard. Part of that last proposal included an entry monument on the ride over Las Vegas Boulevard welcoming people to the City of Las Vegas. The City Council did not approve the project due to objections from the neighbors over possible noise from the enclosed cars on the proposed ride. This ride was intended as a replacement for the never-built ape ride. Since its opening in 1996, five people have jumped to their deaths from the top of the tower.

The top of the tower has two observation decks, a revolving restaurant, and three thrill rides:

- The Big Shot at 1,081 feet (329 m) is the highest thrill ride in the world.
- Insanity the Ride, opened in 2005, at 900 feet (274 m) is the second highest thrill ride in the world, it dangles riders over the edge of the tower and then spins in a circular pattern at about forty miles per hour.
- XSCREAM at 866 feet (264 m) is the third highest thrill ride in the world.

The High Roller at 909 feet (277 m) was the second highest ride in the world and the highest roller coaster, but it was closed on December 30, 2005 and demolished to make space for a newborn fresh attraction.

Tower of Pisa

The Leaning Tower of Pisa (Italian: Torre pendente di Pisa) or just The Tower of Pisa (La Torre di Pisa) is the campanile, or freestanding bell tower of the cathedral in Italia, Pisa. It is located behind the Cathedral and it is the third structure by time in Cathedral Square. Although planned to stand vertically, the tower began leaning to the southeast soon after the beginning of construction in 1173 due to a poorly laid foundation and loose substrate that has allowed the foundation to shift direction.

The height of the tower is 55.86 m (183.27 ft) from the ground on the lowest side and 56.70 m (186.02 ft) on the highest side. The width of the walls at the base is 4.09 m (13.42 ft) and at the top 2.48 m (8.14 ft). Its weight is estimated at 14,500 tonnes. The tower has 296 steps; the seventh floor has two less steps on the north-facing staircase. The tower leans at an angle of 3.97 degrees. This means that the top of the tower is 3.9 meters from where it would stand if the tower were absolutely vertical.

The Tower of Pisa was a work of art, performed in three stages over a period of about 177 years. Construction of the first floor of the white marble campanile began on August 9, 1173, a period of military success and prosperity. This first floor is surrounded by pillars with classical capitals, leaning against blind arches. The tower began to sink after construction progressed to the third floor in 1178. This was due to a mere three-meter foundation, set in weak, unstable subsoil. This means the design was flawed from the beginning. Construction was subsequently halted for almost a century, because the Pisans were almost continually engaged in battles with Genoa, Lucca and Florence. This allowed time for the underlying soil to settle. Otherwise, the tower would almost surely have toppled. In 1198, clocks were temporarily installed on the third floor of the unfinished construction.

In 1272, construction carried on under Giovanni di Simone, architect of the Camposanto. In an effort to compensate for the tilt, the engineers built higher floors with one side taller than the other. This made the tower begin to lean in the other direction. Because of this, the tower is actually curved. Construction was halted again in 1284, when the Pisans were defeated by the Genoans in the Battle of Meloria.

The seventh floor was completed in 1319. The bell-chamber was not finally added until 1372. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the Gothic elements of the bell-chamber with the Romanesque style of the tower. There are seven bells, one for each note of the musical scale. The largest one was installed in 1655.

In 1934 Benito Mussolini ordered that the tower be returned to a vertical position, so concrete was poured into its foundation. However, the result was that the tower actually sank further into the soil. During World War II, the Allies discovered that the Nazis were using it as an observation post. A U.S. Army sergeant was briefly entrusted with the fate of the tower. His decision not to call in an artillery strike saved the edifice.

On February 27, 1964, the government of Italy requested aid in preventing the tower from toppling. It was, however, considered important to retain the current tilt, due to the vital role that this element played in promoting the tourism industry of Pisa. A multinational task force of engineers, mathematicians and historians was assigned and met on the Azores islands to discuss stabilization methods. It was found that the lean was increasing due to the stonework expanding and contracting each day due to the heat of sunlight. This was working in combination with the softer foundations on the lower side. Many methods were proposed to stabilize the tower, including the addition of 800 metric tons of lead counterweights to the raised end of the base.

In 1987, the tower was declared as part of the Piazza dei Miracoli UNESCO World Heritage Site along with neighbouring cathedral, baptistery and cemetery.

On 7 January 1990, after over two decades of work on the subject, the tower was closed to the public. While the tower was closed, the bells were removed to relieve some weight, and cables were cinched around the third level and anchored several hundred meters away. Apartments and houses in the path of the tower were vacated for safety. The final solution to prevent the collapse of the tower was to slightly straighten the tower to a safer angle, by removing 38 m3 of soil from underneath the raised end. Through this, the tower was straightened by 18 inches (45 centimeters), returning to the exact position that it occupied in 1838. After a decade of corrective reconstruction and stabilization efforts, the tower was reopened to the public on December 15, 2001, and has been declared stable for at least another 300 years. The tower is currently undergoing gradual surface restoration, in order to repair visual damage, mostly corrosion and blackening. These are particularly strong due to the tower's age and to its particular conditions with respect to wind and rain.

Some technical information:
Total number of tower bells: 7, tuned to musical scale, clockwise
1st bell: L'assunta, cast in 1654 by Giovanni Pietro Orlandi, weight 3,620 kg (7,981 lb)
2nd bell: Il Crocifisso, cast in 1572 by Vincenzo Possenti, weight 2,462 kg (5,428 lb)
3rd bell: San Ranieri, cast in 1719-1721 by Giovanni Andrea Moreni, weight 1,448 kg (3,192 lb)
4th bell: La Terza (1st small one), cast in 1473, weight 300 kg (661 lb)
5th bell: La Pasquereccia or La Giustizia, cast in 1262 by Lotteringo, weight 1,014 kg (2,235 lb)
6th bell: Il Vespruccio (2nd small one), cast in the 14th century and again in 1501 by Nicola di Jacopo, weight 1,000 kg (2,205 lb)
7th bell: Dal Pozzo, cast in 1606 and again in 2004, weight 652 kg (1,437 lb)
Total Steps to bell tower: 296
Height: 55.863 metres (183 ft 3 in), 8 stories
Weight: 14,700 tonnes
Elevation of Piazza dei Miracoli: about 2 metres (6 feet, DMS)
Inner diameter of base: 7.368 m
Outer diameter of base: 15.484 m
Thickness of walls at the base: 8 ft (2.4 m)

Eiffel Tower

Eiffel Tower was inaugurated on March 31, 1889, and opened on May 6. Three hundred workers joined together 18,038 pieces of puddled iron, using two and a half million rivets, in a structural design by Maurice Koechlin.

Eiffel Tower is 300 meters (986 feet) tall, not including the 24-meter television antenna on top, and weighs 10,100 tonnes. It was the world's tallest structure for forty years. According to the official website for the tower, the summit is reached by 1,665 steps and not, as popularly believed, by 1,792 steps (the same as the year of the First French Republic). Maintenance on the tower includes applying 50 tons of three graded tones of paint every 7 years to protect it from rust.

Today, it is widely considered to be one of the most striking pieces of architectural art in the world.

The Eiffel {y'-ful} Tower, an immense stucture of exposed latticework supports made of iron, was erected for the Paris Exposition of 1889. The Prince of Wales (later King Edward VII of England) officiated at the ceremonial opening. Of the 700 proposals submitted in a design competition, one was unanimously chosen, a radical creation from the French structural engineer Alexandre Gustave Eiffel (b. Dec. 15, 1832, d. Dec. 28, 1923), who was assisted in the design by engineers Maurice Koechlin and Emile Nouguier, and architect Stephen Sauvestre.

However, the controversial tower elicited some strong reactions, and a petition of 300 names — including those of Maupassant, Emile Zola, Charles Garnier (architect of the Opéra Garnier), and Dumas the Younger — was presented to the city government, protesting its construction. The petition read, "We, the writers, painters, sculptors, architects and lovers of the beauty of Paris, do protest with all our vigour and all our indignation, in the name of French taste and endangered French art and history, against the useless and monstrous Eiffel Tower."

Nature lovers thought that it would interfere with the flight of birds over Paris. But the Eiffel Tower was admired by Rousseau, Utrillo, Chagall, and Delaunay. It was almost torn down in 1909 at the expiration of its 20-year lease, but was saved because of its antenna — used for telegraphy at that time. Beginning in 1910 it became part of the International Time Service. French radio (since 1918), and French television (since 1957) have also made use of its stature. In the 1960s, it was the subject of a wonderful study by semiologist Roland Barthes.

Built to celebrate the science and engineering achievements of its age, soaring 300m / 984 ft. (320.75m / 1,052 ft. including antenna) and weighing 7000 tons, the structure consists of two visibly distinct parts: a base composed of a platform resting on four separate supports (called pylons or bents) and, above this, a slender tower created as the bents taper upward, rising above a second platform to merge in a unified column.

This unprecedented work, the tallest structure in the world until the Empire State Building was built about 40 years later, had several antecedents. Among them were the iron-supported railway viaducts designed by Eiffel, an arch bridge over the Douro River in Portugal with a span of 160 m (525 ft), and a design for a circular, iron-frame tower proposed by the American engineers Clarke and Reeves for the Centennial Exposition of 1876. Eiffel knew and publicly acknowledged this influence; he was no stranger to the United States, having designed the wrought-iron pylon inside Frederic Bartholdi's Statue of Liberty in 1885. Later in the same year, he had also begun work on the cupola of the Nice observatory.

Eiffel was the leading European authority on the aerodynamics of high frames (he wrote "The Resistance of the Air" in 1913). In the construction of the Eiffel Tower, the curve of the base pylons was precisely calculated so that the bending and shearing forces of the wind were progressively transformed into forces of compression, which the bents could withstand more effectively. Such was Eiffel's engineering wizardry that even in the strongest winds his tower never sways more than 4-1/2 inches. The superskyscrapers erected since 1960, such as the World Trade Center, were constructed in much the same way. However difficult its birth may have been, the Tour Eiffel is now completely accepted by French citizens, and is internationally recognized as one of the symbols of Paris itself.

Facilities and Views.
In the basements of the eastern and western pillars, one can visit the gargantuan 1899 machinery which powers the elevators, an astonishing spectacle reminiscent of a Jules Verne novel. From the Tower's three platforms — especially the topmost — the view of Paris is superb. It is generally agreed that one hour before sunset, the panorama is at its best; don't forget to bring your camera, and experiment with the f-stop settings to capture a dazzling sunset on the Seine. If you can't be there in person, then check out a Live Aerial View of Paris with TF1's webcam online: from the top of the Eiffel Tower, you can see Paris in real time, 24 hours a day, whatever the weather conditions in the French capital. To get the most out of this view of Paris, we suggest you surf their web site between 7:00 AM and 9:00 PM GMT (1:00 AM and 3:00 PM Eastern Time in the U.S.), when the City of Light is at its best.

First level: 57.63 meters (189 feet). Observatory from which to study the movements of the Eiffel Tower's summit. Kiosk presentation about the mythic painting of the Eiffel Tower. Space CINEIFFEL: offers an exceptional panorama of sights from the Tower. Souvenir shops (yes, every tourist MUST have a miniature replica). Restaurant "Altitude 95". Post office, with special stamps "Paris Eiffel Tower ". Panoramic gallery displaying the Monuments of Paris.

Second level: 115.73 meters (379 feet, 8 inches). Panorama of Paris. Telescopes, shops. Animated displays on the operation of the elevators. Jules Verne Restaurant (extremely expensive, reservations absolutely necessary).

Third level: 276.13 meters (905 feet, 11 inches). Exceptional panoramic views, day or night, of Paris and its surroundings. Recently restored office of Gustave Eiffel, showing him welcoming Thomas Edison. Panoramic guide displays to aid orientation. Dioramas presenting the history of this platform.

Probably the best approach to the tower is to take the Métro to the Trocadéro station and walk from the Palais de Chaillot to the Seine. Besides fabulous views, especially when the Trocadéro fountains are in full force, you get a free show from the dancers and acrobats who perform around the Palais de Chaillot. The vast green esplanade beneath the tower is the Parc du Champs-de-Mars, which extends all the way to the 18th-century Ecole Militaire (Military Academy), at its southeast end. This formal lawn was once a parade ground for French troops.

The Eiffel Tower at night is one of the great sights of Paris and shouldn't be missed. The gold lighting highlights the delicacy of the steelwork in a way that is missed in daylight. Skip the tour buses and pickpockets on Trocadéro and head up to the Ecole Militaire for a more tranquil view.

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